I wanted to share this poem from Sojourners Online. It's in remembrance of Hiroshima Day, this Monday, August 6. I'm listening to Bush and his criminals toss around the ideas of "nuking", say, Iran. This is their clever way of making the public, the slumbering public, desensitized to the term. Making the idea of using nuclear weapons, well, somethow 'OK'. These guys would like, I feel, to use these ultimate "weapons of mass destruction". I feel that the use of nuclear weapons is much more likely now, than perhaps in my entire life. The Bush gang already has used white phosphorous and cluster bombs on civilian populations among their long list of horrors, so what's the next step for the Christofascist crooks?
The author, Mitsuyoshi Toge, born in Hiroshima in 1917, was a Catholic and a poet. He was in Hiroshima when the atomic bomb was dropped on the city on August 6, 1945, when he was 24 years old. Toge died at age 36. His firsthand experience of the bomb, his passion for peace, and his realistic insight into the event made him a leading poet in Hiroshima. This poem is from Hiroshima-Nagasaki: A Pictorial Record of the Atomic Destruction (1978).
How could I ever forget that flash of light!
In a moment, thirty thousand people ceased to be,
The cries of fifty thousand killed
At the bottom of crushing darkness;
Through yellow smoke whirling into light,
Buildings split, bridges collapsed,
Crowded trams burnt as they rolled about
Hiroshima, all full of boundless heaps of embers.
Soon after, skin dangling like rags;
With hands on breasts;
Treading upon the broken brains;
Wearing shreds of burn cloth round their loins;
There came numberless lines of the naked,
Bodies on the parade ground, scattered like
jumbled stone images of Jizo;
Crowds in piles by the river banks,
loaded upon rafts fastened to the shore,
Turned by and by into corpses
under the scorching sun;
in the midst of flame
tossing against the evening sky,
Round about the street where mother and
brother were trapped alive under the fallen house
The fire-flood shifted on.
On beds of filth along the Armory floor,
Heaps, and God knew who they were?
Heaps of schoolgirls lying in refuse
Pot-bellied, one-eyed, with half their skin peeled
The sun shone, and nothing moved
But the buzzing flies in the metal basins
Reeking with stagnant ordure.
How can I forget that stillness
Prevailing over the city of three hundred thousands?
Amidst that calm,
How can I forget the entreaties
Of departed wife and child
Through their orbs of eyes,
Cutting through our minds and souls?